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The Pantheon (“temple of all the gods”) is an ancient Roman temple, now a church, in Rome. Among Panini's most brilliant inventions are Modern Rome and its pendant, which cleverly contrive to show the famous monuments of the city as paintings arranged in a sumptuous gallery. Giovanni Paolo Panini Piacenza 1691 - 1765, Rome. It was commissioned by the Count de Stainville, later the Duke de Choiseul, who is seen at the center with a guidebook in hand. 16" x 12", Multiple Sizes. Giovanni Paolo Pannini or Panini. These views are called veduta (plural vedute), which is a type of painting that accurately provides a view of a city or another vista. He taught in Rome at the Accademia di San Luca and the Académie de France, where he is said to have influenced Jean-Honoré Fragonard. Giovanni Paolo Panini’s “Ancient Rome” epitomizes core Neoclassical principles: frescoes, paintings, and marble statues depicting scenes from classical antiquity are on view in a grand hall, where students and scholars observe and create copies of their own. Best Seller. Giovanni Paolo Panini. In Rome, Panini earned a name for himself as a decorator of palaces. Musical Feast Given by the Cardinal De La Rochefoucauld in the Teatro Argentina in Rome in 1747. This large painting of the interior of St. Peter’s in Rome is one of the four views of Rome by Giovanni Paolo Panini that the Boston Athenæum purchased in 1834 and the only one remaining in the collection. 211-212. More from This Artist Similar Designs. 16" x 12", Multiple Sizes. Ancient Rome Giovanni Paolo Panini, 1757 Oil on canvas, 5.64' x 7.54' In 1757, Giovanni Paolo Panini was comissioned by the Count de Stainville, who was the French ambassador to Rome from 1753-1757. Giclee Print. Pantheon, Rome. 16" x 12", Multiple Sizes. Gallery of Views of Ancient Rome 1758 Oil on canvas, 231 x 303 cm Musée du Louvre, Paris: In the Gallery of Views of Ancient Rome and its pendant Gallery of Views of Modern Rome, Pannini offers the viewer two imaginary museums assembling in one case the most glorious ruins of ancient Rome, and in the other the masterpieces of modern Rome. Most of his works, especially those of ruins, have a fanciful and unreal embellishment characteristic of capriccio themes. $22. ... Gallery of Sights of Ancient Rome, Commissioned by Patron Abbot De Canillac, 1758 Giovanni Paolo Pannini. Panini also painted portraits, including one of Pope Benedict XIV.[1]. From. Related Categories. Athenæum purchase, 1834. [4] Both Panini and Stainville are featured: Stainville stands holding a guidebook, while Panini appears behind Stainville's armchair.[3][4]. Giovanni Paolo Panini. Gallery of Ancient Rome's views. GALLERY OF VIEWS OF ANCIENT ROME, 1758 (OIL ON CANVAS) BY GIOVANNI PAOLO PANINI WIKIPEDIA Ancient Rome is a name given to each of three almost identical paintings by Italian artist Giovanni Paolo Panini, produced as pendant paintings to Modern Rome for his patron, the comte de Stainville, in the 1750s. Giovanni Paolo Panini. Giovanni Paolo Panini Roman, 1691 - 1765 Pannini, Giovanni Paolo , Panini, Gian Paolo As a painter, Panini is best known for his vistas of Rome, in which he took a particular interest in the city's antiquities. Giovanni Paolo Panini Italian Ancient Rome is a pendant to Modern Rome and catalogs the most famous antique monuments in the city. … Best Seller. The three versions of Ancient Rome, in order of creation, are located in the Staatsgalerie Stuttgart, the Metropolitan Museum of Art in New York and the Louvre in Paris. He later extended his versatility to portraits, decorative frescoes, as well as stage design. His masterful use of perspective was later the inspiration for the creation of the "Panini Projection", which is instrumental in rendering panoramic views. Giovanni Paolo Panini was an Italian painter, draftsman, architect and educator. Giovanni Paolo Pannini, Pannini also spelled Panini, (born 1691, Piacenza, Duchy of Parma and Piacenza [now in Italy]—died 1765, Rome), the foremost painter of Roman topography in the 18th century. Panini became famous in documenting with specific skill and vibrancy the monuments and views of Rome. $22. An architectural capriccio with two soldiers addreseing a young man figures on a balcony beyond Painting. Giclee Print. GET THE MERLOT PANINI WITH CHILLI JAM. More from This Artist Similar Designs. Rome. Frequently Asked Questions. (in Italian). Find more images by color. What's the best way to hang my art? From. Shop unique cards for Birthdays, Anniversaries, Congratulations, and more. Rome Painting. While Canaletto painted cityscapes, scenic trade routes, and the activity of urban life, Panini, like his contemporary, Piranesi (1720-1778), spent much of his time painting the ruins of Rome. ... Gallery of Sights of Ancient Rome, Commissioned by Patron Abbot De Canillac, 1758 Giovanni Paolo Pannini. Giovanni Paolo Panini Paintings. Get up to 35% off. This large painting of the interior of St. Peter’s in Rome is one of the four views of Rome by Giovanni Paolo Panini that the Boston Athenæum purchased in 1834 and the only one remaining in the collection. Check out our giovanni panini selection for the very best in unique or custom, handmade pieces from our shops. Gian Paolo Panini e i fasti della Roma del '700 [Gian Paolo Panini and events in 18th c. Painting by Giovanni Paolo Pannini (Panini) (1691-1765) 18th century, 2,31 x 3,03 m. Louvre Museum, Paris. Giovanni Paolo Panini, “Ancient Rome,” 1757. The Coliseum Amongst Roman Ruins, c.1730 Giovanni Paolo Pannini or Panini. [2] See "The Descriptive Catalogue of the Four Magnificent Paintings of the Most Interesting Monuments of Ancient and Modern Rome" (exh. Media in category "Ancient Rome (Giovanni Paolo Pannini)" The following 2 files are in this category, out of 2 total. They were commissioned by the Count de Stainville, later Duke de Choiseul, ambassador to Rome from 1753 to 1757; he is shown seated in an armchair. The Metropolitan Museum of Art and the Louvre each hold a version of Panini's companion piece, Modern Rome; and the third version is in the Museum of Fine Arts, Boston. Giovanni Paolo Panini, or Pannini (1691 – 1765), was a painter and architect who worked in Rome and is primarily known of his vedutisti (“view painters”). The panini is … The crumbling stone pyramid here is based on the tomb of Caius Cestius in Rome, but all of the other elements are invented. [citation needed], In addition to being a painter and architect, Panini was a professor of perspective and optics at the French Academy of Rome. Rome.] In Panini's day, as in our own, the Pantheon was one of the great tourist attractions of Rome.Built under Hadrian in the 2nd century, this monumental domed temple has survived intact, owing to its consecration as a Christian church—Santa Maria Rotunda—in AD 609. The Interior of St Peter's Painting. Ancient Rome Giovanni Paolo Panini, 1757 Oil on canvas, 5.64' x 7.54' In 1757, Giovanni Paolo Panini was comissioned by the Count de Stainville, who was the French ambassador to Rome from 1753-1757. [1], Panini's studio included Hubert Robert and his son Francesco Panini. [2] See "The Descriptive Catalogue of the Four Magnificent Paintings of the Most Interesting Monuments of Ancient and Modern Rome" (exh. Interior of St. Peter's, Rome, 1756-1757. The Wadsworth Athenaeum, who owns the painting, says on its podcast that he is the figure in dark clothes right behind Gonzaga. Ancient Rome is a name given to each of three almost identical paintings by Italian artist Giovanni Paolo Panini, produced as pendant paintings to Modern Rome for his patron, the comte de Stainville, in the 1750s. Oil on canvas, 64 5/8 x 92 ¾ in. … Giovanni Paolo Panini or Pannini (17 June 1691 – 21 October 1765) was a painter and architect who worked in Rome and is primarily known as one of the vedutisti ("view painters"). cat. In 1711, he moved to Rome, where he studied drawing with Benedetto Luti. Panini painted a number of imaginary scenes in which a known monument is set within a fanciful arrangement of ruins. $17. An extensive landscape with carriages and elegant figures on a road including the artist himself gar Painting. No printing or digital imaging techniques are used. Giovanni Paolo Panini, Ancient Rome, 1757, oil on canvas (Metropolitan Museum of Art). As a young man, Panini trained in his native town of Piacenza, under Giuseppe Natali and Andrea Galluzzi, and with stage designer Francesco Galli-Bibiena. In this they resemble the capricci of Marco Ricci. The Interior of the Pantheon in Rome … $17. Some of his works included the Villa Patrizi (1719–1725), the Palazzo de Carolis (1720), and the Seminario Romano (1721–1722). File:Ancient Rome MET DT1418.jpg; File:Ancient Rome MET LC-52 63 1-1.jpg; File:Ancient Rome Panini.jpg; File:Giovanni Paolo Panini (Italian, Piacenza 1691–1765 Rome) - Ancient Rome - Google Art Project.jpg; File:Giovanni Paolo Panini (Italian, Piacenza 1691–1765 Rome) - Ancient Rome - Google Art … Panini is known for painting views of Rome. Giovanni Paolo Panini, Ancient Rome, 1757, oil on canvas (Metropolitan Museum of Art) Panini was not only renowned for his single views, he also experimented with multiple views of Rome in a single canvas. Near the figure of Silvio Valenti Gonzaga is that of the artist, Giovanni Paolo Panini (1691-1765). His style influenced other vedutisti, such as his pupils Antonio Joli and Charles-Louis Clérisseau, as well as Canaletto and Bernardo Bellotto, who sought to meet the need of visitors for painted "postcards" depicting the Italian environs. Giovanni Paolo Panini or Pannini (17 June 1691 – 21 October 1765) was a painter and architect who worked in Rome and is primarily known as one of the vedutisti ("view painters"). Also by Giovanni Paolo Panini. Real Oil Paints, Real Brushes, Real Artists, Real Art. It was built on the site of an earlier temple, and it was completed by the emperor Hadrian and dedicated about 126 AD. As a painter, Panini is best known for his vistas of Rome, in which he took a particular interest in the city's antiquities. The Coliseum Amongst Roman Ruins, c.1730 Giovanni Paolo Pannini or Panini. This style initiated in Belgium and The Netherlands in the 17th century and became more popular in 18th-century Italy.

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